Day: September 3, 2024

The G train is finally back to full service following a painful summer shutdown.

The Crosstown Line returned to its full route between Court Square in Long Island City, Queens and Church Avenue in Kensington, Brooklyn at 5 a.m. on Sept. 3. The line had been shuttered in phases since late June so the MTA could perform major capital work to modernize the route’s signal system, replacing a nearly 100-year-old analog system with modern Communication-Based Train Control (CBTC), allowing trains to run faster and closer together.

Since June, the G has been outfitted with 100 miles of new cable, while 17 switches and 6 relay rooms were replaced, MTA construction chief Jamie Torres-Springer said on Tuesday. Ten stations were also deep-cleaned while service was shuttered.

The full $368 million project won’t be completed until 2027, but further work will not require any more 24/7 shutdowns, and by the time it’s finished the MTA expects reliability on the G to rocket upwards.

“We’ve got immediate benefits that our riders are seeing today,” Torres-Springer said. “There’ll be a smoother ride, we’ve cleaned up the stations, we’ve improved a lot of track. We’re going to be providing frequent and reliable service. And when we complete this project over the next couple years and fully re-signal, we’ll have even more reliable, faster service for our G train riders. So again, we are very appreciative of the patience of folks who put up with this outage over the last couple of months.”

The G is the only direct train connection between Brooklyn and Queens that doesn’t bypass through Manhattan, and in some parts of its route it’s the only train line available, especially in Greenpoint.

The MTA provided free shuttle bus service along the closed G corridor, which riders reviewed as decent for what it was, but still a significant inconvenience.

“I did them once or twice, and they actually were pretty okay,” said Bushwick resident Addison Boucher, who noted she traveled much less frequently during the shutdown, especially to Greenpoint. “They were air-conditioned. I couldn’t complain, they came quickly. It was fine, but, I mean, it’s still annoying to have to take the bus and go through city traffic instead of the subway.”

Others, however, sought to avoid the shuttle bus entirely. Ben Grube, who works in Gowanus, said he started taking the L to Manhattan and transferring to the F this summer, adding about 20 extra minutes to his daily commute.

“I luckily didn’t have to do it for that long,” said Grube as he waited for a Church Avenue-bound train at Metropolitan Avenue. “But I was happy to see that the G was running today and back in service, because it’ll carve like 20 minutes off my commute.”

Others, like local City Council Member Lincoln Restler, opted to make their trip on two wheels.

“I have biked through extreme heat waves, up and down from Greenpoint to Downtown Brooklyn, many dozens if not hundreds of times this summer to get around our district,” said Restler, who represents much of the G corridor in North Brooklyn. “It was not fun, I would have rather been on an air-conditioned train, but it’s what needed to get done.”

Restler and state Sen. Kristen Gonzalez had mostly positive things to say about the MTA’s handling of the shutdown — particularly regarding shuttle bus service and communication with riders. They expressed dismay, however, that the city had not constructed a dedicated lane so shuttle buses could move faster.

CBTC is a computer-based signaling tech that allows trains to be run closer together than the Great Depression-era analog signals used in much of the system. That means trains arrive faster and more can be run, providing more reliable service. Being nearly 100 years old, analog signals also break down frequently and are one of the primary drivers of subway delays and poor reliability.

The L and 7 lines are the only two routes in the system already fully equipped with CBTC, which has caused reliability to jump on both lines, something riders have noticed.

Jennyfer Ogarro, who works in Long Island City and lives in Williamsburg, said the L has improved noticeably in the 30 years she’s lived in the area; she takes the L and the G on her morning commute.

“I’ve lived around here for 30-odd years, and when I started living around here, the L train was really horrible. It has gotten a lot better,” said Ogarro. “So I’m just trusting that [the G] will get a lot better as time goes on. It’s a work in process.”

Besides the G, the MTA has CBTC projects underway on the Queens Boulevard Line serving the E/F/M/R, the Culver Line serving the F in Brooklyn, and the 8th Avenue Line serving the A/C/E in Manhattan.

Further signal modernization, however, is now on ice due to the pause on congestion pricing. In the MTA’s current capital plan, revenue from the Manhattan toll was going to fund re-signaling on the Fulton Street Line serving the A/C in Brooklyn and the 6th Avenue Line serving the B/D/F/M in Manhattan, but those projects are now suspended.

The MTA is set to propose its 2025-29 capital plan this month, and without expected congestion pricing money, it’s unclear how much re-signaling work the agency will be able to do in the coming years.

“When we invest more resources in the MTA, we can do more projects just like this,” said Restler. “So I really hope that we can get congestion pricing back on track and other forms of investment to make sure that we have the most robust MTA capital plan ever, so that they can continue to do great projects just like this one that our neighbors and New Yorkers rely on so much.”

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A temporary art installation resembling an emergency shelter tent is set to pop up in Sunset Park this month to highlight the challenges faced by Temporary Protected Status (TPS) seekers, its beneficiaries and asylum seekers in the US.

“A Mobile Home” will serve as both a sculpture and an immersive performance stage when it lands close to the park entrance on Sixth Avenue and 41st Street on Sept. 14, with musical, dance and spoken word performances by artists and locals throughout the afternoon.

The shelter will feature enlarged images of security screening questions from TPS applications, which the artists say will present the public with an experience that reveals the often conflicted language embedded in the bureaucratic migration processes, while also raising the question of what “home” really means.

Xenoduo is the creative group behind “A Mobile Home.” The pair — Brooklyn-based set designer and installation artist Xinan Ran and choreographer and theater artist Miguel Alejandro Castillo — met in high school, where they first started collaborating artistically. After noticing the common theme of migration in their works, they decided to start a collective that advocates for a more humane immigration process.

The idea for “A Mobile Home” came about when Castillo first applied for TPS, which the Department of Homeland Security can grant to a group of nationals it deems unsafe from returning to their homelands — Castillo’s birth country of Venezuela being among the beneficiaries.

He told Brooklyn Paper that the application process was isolating, as he had to fill out an application that posed “intense” questions “that I know have a legal and political reasoning behind them, but their effects on those receiving the questions are one of alienation.”

 

 

 

 

 

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The pair hope the installation will be a place for TPS beneficiaries and other immigrants in the city to come to reflect and share their own stories. The Sixth Avenue location was chosen because it is a shared space of the diverse community in Sunset Park.

“Sunset Park is a place where they actually meet and socialize, so we want to use this site as a place where we can bring people together and share stories and to find an equal meeting point of these communities,” Ran said.

Xenoduo’s other hope is that their art will help humanize the immigration process and its issues for members of the public with limited knowledge of the processes.

“We live in a city that is made of immigrants, and so much of the labor of the immigrant community is what makes the city what it is,” said Castillo. “Yet, there is such a forgetfulness or ignorance in which many people just go by their days without really pondering about this. I do think that the waves of immigration are going to get bigger and bigger as we deal with climate change and more unstable governments. Everybody needs to be on board so that we can be adaptable and care for one another.”

“A Mobile Home” will have an opening reception at 1 p.m. on Sept. 14 before it heads to Union Square on Oct. 5. To find out more about the event and installation, visit the More Art website.